Interviews
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How Craig Brewer Went from Couch Surfing to ‘Coming 2 America’
We talk to the filmmaker about his career, the truth about ‘Hustle & Flow,’ and his work with Eddie Murphy.
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How They Shot ‘WandaVision’ with One Camera and 47 Lenses
We chat with cinematographer Jess Hall about the process of duplicating seven television eras for the Marvel series.
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How David Prior’s ‘The Empty Man’ Survived the Perfect Hollywood Storm
We talk to the filmmaker about the unfortunate fate of his ambitious horror fIlm.
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Henry Jackman Cooks Musical Chaos in His Laboratory for ‘Cherry’
We chat with the composer about embracing instrumental instability to craft the ambiguous score sought by The Russo Brothers.
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How an Intimacy Coordinator Affects Story on a Film Set
We chat with intimacy coordinator Marcus Watson about how he shares the same mission as costumes, stunts, and production design. They’re all there for the story.
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Jay Baruchel Makes His Camera a Ghost for ‘Random Acts of Violence’
We chat with the director about finally making the horror film that lingered in his head for over a decade.
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‘Maud’ and God: A Conversation with Rose Glass
The writer-director’s debut feature, ‘Saint Maud,’ is finally coming to US screens. We got on the phone with her nearly a year ago.
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Danny Huston Talks Growing Up with ‘The Maltese Falcon’
As John Huston’s directorial debut turns 80 years old, his son speaks to its lasting legacy in film history.
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New House, New Horrors: Cinematographer James Kniest on the Visual Distinction of ‘The Haunting of Bly Manor’
Kniest discusses the gothic romance of the Netflix series, plus horror tropes, time jumps, and the black & white episode.