SXSW
Film Festival.
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‘Swarm’ Sees Dominique Fishback Impressively Raise Hell in the Name of Fandom and Idolatry
Fandom and fatalities don’t mix—but in Donald Glover and Janine Nabers’ new series, they come crashing to a bloody, glorious head.
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‘Cora Bora’ Is a Star Vehicle For Meg Stalter To Prove Her Immense Dramatic Skills
Meg Stalter is a star, and now the world will finally get to see her lead the way in this dramedy that shows her off as the complete acting package.
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The ‘Star Wars Holiday Special’ Is Good, Actually?
Okay, so, no, it’s not. Although, our conversation with ‘A Disturbance in the Force’ co-director Jeremy Coon does recontextualize its awfulness.
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‘Here Before’ is a Dread-Fueled Showcase for Andrea Riseborough
Stacey Gregg’s horror film explores grief and abandonment, with a twist.
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‘The Fallout’ is an Ode to a Paralyzed Generation
In Megan Park’s feature directorial debut, trauma is just a part of daily life.
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‘Alone Together’ is a Heartfelt Look at Fan Community Amidst COVID
This Charli XCX documentary is less about the coronavirus pandemic than it is about community and connection.
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In ‘Violet’ That Voice Inside Your Head is a Main Character
A distinctive style and a strong lead performance still leave something to be desired.
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‘Paul Dood’s Deadly Lunch Break’ Dances a Fine Line Between Charm and Controversy
Fans of ‘Tucker & Dale vs Evil’ will want to seek out this dude’s adventures as soon as possible.
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‘Sound of Violence’ Rides in Circles on a Cycle of Trauma
She killed a man just to hear him bleed.
